the story, as in imitation of action, must represent one action, a complete whole, with its several incidents so closely connected that the transposal or withdrawal of any one of them will disjoin or dislocated the whole. For that which makes no perceptible difference by its presence or absence is no real part of the whole.Something to consider for anyone who is a composer of stories. If there is an episode or incident which makes no perceptible difference to the story which contains it, why is it included?
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